| Hemispheres |  | Artist: Rush Category: Music
List Price: CDN$ 10.99 Buy New: CDN$ 7.60 as of 7/31/2010 19:17 CDT details You Save: CDN$ 3.39 (31%)
New (19) Used (1) from CDN$ 7.60
Seller: the_book_depository__ Rating: 122 reviews
Format: Import Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
UPC: 731453462922 EAN: 0731453462922 ASIN: B000001ESL
Release Date: May 6, 1997 Availability: Usually ships within 1 - 2 business days
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| Tracks:
| • | Hemispheres | | • | Circumstances | | • | The Trees | | • | La Villa Strangiato |
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| Editorial Reviews:
From Amazon.com Smart rockers Rush were just on the brink of being embraced by the album rock mainstream when they recorded Hemispheres. Already wildly popular with a certain corner of the intellectual crowd, thanks in part to drummer Neil Peart's Ayn Rand obsession, this CD marked a turning point for the Canadian trio. Hemispheres explores the political, social economic, and sci-fi themes prevalent on their early work, continuing the saga of "Cygnus" from A Farewell To Kings. Rush was fond of writing in movements, almost orchestrally, rather than the typical verse/chorus/verse/chorus structure, and Hemispheres has the usual opus-like compositions that perfectly displayed their chops. The CD features time changes that you'd need a calculator to crack, impossible guitar arpeggios from Alex Lifeson, and Geddy Lee's low end bass rumblings and high end vocal shriekings. Rush's lofty lyrics sometimes bordered on the ridiculous and, if for no other reason, Hemispheres deserves props for Lee's ability to sing the line, "There is unrest in the forest..." (from "Trees") while keeping a straight face. --Steve Gdula
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| Customer Reviews:
Showing reviews 1-5 of 122
Culmination of their experiments July 14, 2008 Matthew West (Atlantic Canada) The title track to 'Hemispheres' was done to culminate their experiments with epic length tracks and overblown arrangements. They agreed together that they would never again do a side-long epic when this album was done. They all said it was a difficult album to make. In my experience, those difficult times in the studio have produced some of their best works ('Grace Under Pressure', 'Vapor Trails'). They had, for the first time, nothing written when they arrived in Wales to record the album. It took them four weeks to write the album before they could begin. They were also experimenting with new technologies during the writing process which added greatly to the overall complication. They made an effort to record as much of the album as possible live off the floor, trying to stretch out their takes to capture as much of the song in one block as possible. I think it is all this struggle and care that make this album so worthwhile.
Cygnus X-1: Book II - Hemispheres
This is the last Rush composition to stretch out this long or to be this grand. We are treated to shorter pieces on subsequent albums that were equally complex ("Natural Science", "Camera Eye"), but none with the scope of this one.
It is an interesting idea to turn the battle of heart and mind within us all into an epic piece about the Greek gods coming down and leading humans first in one direction, and then another. Lives bent wholly towards emotion or wholly towards reason are problematic and lead to disaster. Only the quest for balance amid chaos could bring a balanced life. In many ways Peart deals with this idea with greater economy, though no less successfully, in my opinion, in "Animate".
I do find the lyrics rather hokey. Even back in 1978, the notion of Greek gods seemed silly to me. The lyrics are often contrived or forced, despite many brilliant turns of phrase. It is a pity that they couldn't have music this good with lyrics as good as those from "The Fountain of Lamneth".
This song has better transition and smoother playing than earlier albums. Unfortunately it has lost the edginess of their brilliant 'A Farewell to Kings'. A lot of the riffs in this song descend instead of ascend--probably to act in contrast to the bright and beautiful "The Sphere" at the end, where all problems and difficulties are resolved. They make extremely effective use of stop-time throughout. I really like the ethereal passage near the end. It reminds me of some parts of the soundtrack to '2001: A Space Odyssey'.
Circumstances
This is an awesome riff based song. I love the growly sound of the bass and guitars throughout. In many ways I wish they could have carried this sound forward to 'Permanent Waves' which has always been a bit light and bright for my taste. It would be a long time before they would return to the kind of edge and energy of songs like this. The instrumental bridge continues the idea they had been developing of creating passage that acts in total contrast to the main song. For those familiar with the band FM, the instrumental bridge has a flavour of their 1977 album 'Black Noise'. It is interesting that there is no solo, only group playing through the bridge--an idea that they would employ on the entire 'Vapor Trails' album.
The Trees
I really like the way Geddy doubles Alex's nylon string opening on bass. He really shows off his delicate touch on the bass here. Check out this song on the 'Chronicles' VHS/DVD to actually watch him do it. As with "Circumstances", they contrast the hard fast rock of the verse and chorus with another quiet instrumental section. "Red Barchetta" lifts a lot from this song; listening to one always reminds me of the other.
La Villa Strangiato
This is their very first instrumental. They call it an exercise in self indulgence. For the listener, too, it is a gorgeous indulgence!
A must for progressive rock fans! September 8, 2007 J-C Potvin (Québec, Canada) Rush are known for their hits like working man, 2112 ouverture,Spirit of the radio and recently, for their new record "Snakes and Arrows". But Almost 30 years ago, they went big with Hemispheres.
It is about 40 minutes long with only four song, but every second of this album worth listening. The first song, Hemispheres, is 18:07. It has 5 parts as good as the others, with beautiful lyrics about war. The instrumental parts are amazing, too. Alex goes with a wonderful solo that connects with the atmosphere of the song. A timeless classic rush song.
Next, it is Circumstances. Short song; about 3m30 long, but still are very strong song. Heavy Song, Probably influenced by Heavy metal. Geddy Lee performs on this song, with something completly different from the guitar but how amazing. I Like the interlude with keyboards. Great song.
After, another classic: The trees. It starts with a accoustic intro, and goes with another great performance from geddy lee. About 4m30 long, but still very progressive with a wonderful guitar arrangement and something like a tam-tam. Strong song that talks about trees that are cut for absolutely nothing. Still a very strong song.
Finally, it ends with the wonderful instrumental song "La villa strangiato". 9m34 long, that shows how talentive are these 3 guys. Alex Lifeson starts with a accoustic solo that blows me away, and geddy shows another time, that he is one of the best bass player in the world with powerful bass lines and a solo that kills. Probably their best instrumental song, IMO. I'd even say on of the best instrumental song.
To conclude, these 4 songs will blow your mind. If you like rush or if you like progressive rock, buy it I swear you won't be disappointed.
Another winner from Rush June 21, 2004 Terrence J Reardon (Lake Worth, Florida, USA) Rush's seventh album Hemispheres was released in October, 1978. The album is the third jewel in Rush's 1970s art rock crown. I first discovered this album on cassette in late August of 1990 and was my most played album in my first three months of freshman year of high school. This album is still great, even today. Hemispheres was recorded between June and August of 1978 at Rockfield Studios in Wales and Advision Studios in London with the band and Terry Brown once again producing. The album kicks off with the 18 minute second part to the previous album, 1977's A Farewell To Kings' concluding track Cygnus X-1(Book One: The Voyage) entitled Cygnus X-1(Book Two: Hemispheres) and is about the division of the brain and has the heart and mind struggling with one another with Cygnus being the bringer of Balance. The music of bassist/vocalist/keyboardist Geddy Lee and guitarist Alex Lifeson was arguably on top of its game and drummer Neil Peart's lyrics are top-notch on Hemispheres. The piece is incredible and the musicianship is fantastic. Side two kicked off with Circumstances which was a nice short below 4 minute rocker with Geddy singing in more of a lower register on the verses and his then-trademark high pitched vocal in the chorus and featured excellent synthesizer work from Geddy as well(Hemispheres was the first album that Geddy used a polyphonic synthesizer which played whole chords unlike the Moog used on A Farewell to Kings which was monophonic). Next is The Trees which is still a concert favorite 25 years later and an excellent song and starts as an acoustic number then goes into full throttle hard rock. The album finishes with the nine and a half minute La Villa Strangiato which is arguably the band's best instrumental. The song was recently played on their Vapor Trails tour and Alex Lifeson would add a different hilarious speech before the song goes into the end of the track(when I saw Rush play in July, 2002 in Boston, Alex's rant was about quitting smoking and he started to smoke socks) and was the highlight of each show. This album still sounds great for a 25-year old album, especially with the remastering Bob Ludwig did on this and all of the Mercury/PolyGram efforts. Also, you get all the original artwork that came with the album and the poster(in CD size) with the band on stage that came with this album originally. I demand you buy Hemispheres.
Ignore snide remarks; this is brilliant. June 3, 2004 Brian Boru Hemispheres remains one of the most unique, out-and-out jamming albums rock music has ever produced.The opening song will wrap itself around you. The more you listen, the more nuances are revealed. It's OUT THERE, yet beautifully played. The lyrics are icing on the cake. La Villa Strangiato is still a concert staple to this day. It's a sweeping, jaw-dropping instrumental. Circumstances is a plaintive song about fate, reflecting the thoughts of drummer Neil Peart when he was on his own in London, 18 years old, just starting out. The Trees is a timeless, whimsical jam, played with terrific power, featuring almost silly lyrics about a battle between the Oaks and the Maples. Great word play here by Peart. Almost silly because the song actually works on quite a few levels. Lots of fun symbolism. How many rock bands regularly place those kind of songs on albums? Irreverent, goofy rockers, flights of fancy? Not many. Hemispheres is a scorcher for the ages.
One of the best art rock masterpieces May 14, 2004 Terrence J. Reardon (South Carolina and Mass., USA) Rush's seventh album Hemispheres was released in October, 1978. The album is the third jewel in Rush's 1970s art rock crown. I first discovered this album on cassette in late August of 1990 and was my most played album in my first three months of freshman year of high school. This album is still great, even today. Hemispheres was recorded between June and August of 1978 at Rockfield Studios in Wales and Advision Studios in London with the band and Terry Brown once again producing. The album kicks off with the 18 minute second part to the previous album, 1977's A Farewell To Kings' concluding track Cygnus X-1(Book One: The Voyage) entitled Cygnus X-1(Book Two: Hemispheres) and is about the division of the brain and has the heart and mind struggling with one another with Cygnus being the bringer of Balance. The music of bassist/vocalist/keyboardist Geddy Lee and guitarist Alex Lifeson was arguably on top of its game and drummer Neil Peart's lyrics are top-notch on Hemispheres. The piece is incredible and the musicianship is fantastic. Side two kicked off with Circumstances which was a nice short below 4 minute rocker with Geddy singing in more of a lower register on the verses and his then-trademark high pitched vocal in the chorus and featured excellent synthesizer work from Geddy as well(Hemispheres was the first album that Geddy used a polyphonic synthesizer which played whole chords unlike the Moog used on A Farewell to Kings which was monophonic). Next is The Trees which is still a concert favorite 25 years later and an excellent song and starts as an acoustic number then goes into full throttle hard rock. The album finishes with the nine and a half minute La Villa Strangiato which is arguably the band's best instrumental. The song was recently played on their Vapor Trails tour and Alex Lifeson would add a different hilarious speech before the song goes into the end of the track(when I saw Rush play in July, 2002 in Boston, Alex's rant was about quitting smoking and he started to smoke socks) and was the highlight of each show. This album still sounds great for a 25-year old album, especially with the remastering Bob Ludwig did on this and all of the Mercury/PolyGram efforts. Also, you get all the original artwork that came with the album and the poster(in CD size) with the band on stage that came with this album originally. I demand you buy Hemispheres.
Showing reviews 1-5 of 122
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